Kirsty Mitchell
‘All The World’s A Stage, But Where Is The Fright?’ Grand Guignol and Contemporary Visual PerformanceMore Details
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Jingya Peng
New way of double crossing in performance: applying the physical elements of Beijing Opera to the UK actors' physical training and contemporary performance through Chinese classical dance body rhythm trainingMore Details
Edgar Jones
Folding Experimental Approaches and Strategies into Jazz Composition and ImprovisationMore Details
Lou Barnell
‘Live Dreaming’: Exploring the reorientation of neurodivergent bodies and selves via musical performanceMore Details
Chloe Knibbs
Readdressing the Spectacle: Composing Connections Between Past Women and Living Women Composers Through CollageMore Details
