Relationship between the evolution of the Contratenor part in 3 part polyphony and the development of chromatic brass instruments during the fifteenth-century
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Decolonising the relationship between speech and rhythm in minimalist compositional practice
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The English provincial Waits 1630-1690
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The relationship between classical and traditional music through the violin repertoire of the Galician Muineira in the nineteenth and twentieth centuries
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‘All The World’s A Stage, But Where Is The Fright?’ Grand Guignol and Contemporary Visual Performance
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