Conservatoire Public Research Seminar: A Leipzig fin-de-siècle:
Royal Birmingham Conservatoire 200 Jennens Road, BirminghamA Leipzig fin-de-siècle: Perspectives upon Joseph Joachim’s Performing Practices in the ‘Romances’ of Clara Schumann, and Joseph Joachim with Jonathan Gooing (piano by Wilhelm Wieck) It is tempting, as many have done, to see the cultural, compositional and performance outputs of the so-called ‘Leipzig School’ – those adherents and pupils of Felix Mendelssohn – as embodying […]