Session One (The LAB): 9.15-10.45

Melinda Maxwell | Lost in Translation: How and Why Notate Improvisation?

Khyam Allami | Écho-monde: Towards a Hybrid Repertoire of Contemporary Acoustic, Electroacoustic and Electronic Arabic Music

Ben Torrens | Birmingham Reggae

Yuanwei Ping | The Pianist-Composer Alexis Weissenberg

Session Two (The LAB): 11-12.30

Richard Stenton | Publishing as a Musical Practice: Conclusions from the Catalogue

Bobbie-Jane Gardner | Composition in a Hyperlocal Environment

Helen Roberts | A Day in the Life of William Mathers: Cornitor, Publican, Wait

Session Three (The LAB): 12.45-2.15

Susannah Self | The Artist as Entrepreneur

Akvile Stuart |The Importance of Social-Artistic Circles in Russian Music Publishing: The Circumstances of Publication and Reception of Alexei Stanchinsky’s works, 1913-1928

Yaoying Wang | Debussy’s Innovation in Piano Technique

Chieh-Yu Yang | Interpreting Mozart’s Piano Works Through an Orchestral Perspective

Session Four (Workshop 2): 3-4.45

Shi Ling Chin | The Theatre of Twentieth-Century Solo Violin Chaconnes

Max Leonhardt | Randomness in Music: How Composers Renew and Enrich Notation in order to Expand the Musicians’ Capability of Interpretation

Laurie Shore | Tracing the Development of Chopin’s opus 10 and 25 Studies through their Antecedents

Tessa Mayhew | Ravel and his Aesthetic of the Macabre