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Royal Birmingham Conservatoire: PGR Study Day

December 14

Thursday 14 December 2017

Morning Session: Workshop 6

Session One: 9.30

Richard Stenton and Niccolò Granieri: Fostering Microgestures in Piano Playing through the use of Scoring and Text

Shi Ling Chin: The Solo Violin Chaconne in the Twentieth Century

Terezija Stimec: Constructive or destructive? Assessing the impact of feedback in instrumental piano lessons

10.40: Break

Session Two: 11.00

Johan Erikson: Automatonism: Extended Modularity In Synthesis Composition

Joe Wright: Investigating Exploratory Sonic Play Through the Design of Digital Instruments With and For Young People on the Autistic Spectrum

Lunch Break

Afternoon Session: Workshop 3

Session 3: 1.00

Connor Christie: The Music of Hans Zimmer, US Military Intervention and ‘the other’ in Film: The Sound of the Ungrievable

Luca Battioni: Enforced Sounds: Dubbing in an Italian Fascist Context

Myles Payne: Cittern and the Lute in Elizabethan England

Adrian Horsewood: “An Island entire of itself – yet a Piece of the Continent”: Italian influences on the cappella di musica of Mdina Cathedral, Malta

2.30: Break

Session 4: 3.00

Simon Paton: Arkestra of Wolves: Observations into the Practicalities of the Self-Organised Large Ensemble

Conor McElroy: Irish rebel music 1969 – 1995: Motives and agendas

Laurie Shore: The Emergence and Evolution of the Piano Study in the years 1797 to 1837

Hannah Roberts: Clara Schumann as Pedagogue

Bill Hunt: Performance of the Pre-Restoration Verse Anthem


Concluding Performance: The LAB

5.15: Susannah Self: Vivid Stream: Developing ‘live’ Improvisations in Installation Opera


December 14
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Royal Birmingham Conservatoire
200 Jennens Road
Birmingham, B4 7XR
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